How you can refine music.
This scenario shows how a mockup can be further refined with
little effort.
The music example is an excerpt from a jazz duo for
double bass (plucked) and piano. For reasons of clarity, this scenario focuses
only on the bass.
The music used was linked to a sound library via the
appropriate soundset. Room simulation plugins were also used.
Upright Bass without further editing
With the help of the appropriate sound set for the
double bass, the notation software already triggers a quite passable
interpretation of the almost empty musical text without any further
intervention.
As no technique and expression texts have been written
yet, the bass part is played completely in the "normal" setting:
"sustain" - "no vibrato" - "stopped". The
duration of the note depends on the notated note length, long notes will not
receive additional vibrato, the end of the note will be reached with a
"stop", i.e. a damping.
However, the sound library that is used also contains
other articulations that can be activated in the Technique text. Depending on
your taste, these can now be used without too much effort. The texts also serve
as an interpretation aid for the musicians when playing live.
Keyswitches for articulations that are not included in the soundset (e.g. Damp, Noises: Slides up/down, Finger Stop, Body Notes) can be activated in Sibelius by specifying the corresponding MIDI key number (e.g. C0 corresponds to ~N24,64) (see Scenario 3 or the Sibelius Reference "MIDI Messages").
Notation Central by NYC Music Services has developed a plugin for Sibelius users that simplifies the tedious process described above. With Graphical MIDI Tools (GMT) you can graphically change the start position or duration of a note, draw automation curves for MIDI controllers, or create keyswitches for further articulations with hidden "phantom notes", just like in a DAW. Dorico or Overture by Sonic Scores already have these features built in.
In this scenario, a number of good-sounding variants will be demonstrated. However, there are no limits to personal taste. The
following plan is chosen for a better overview:
With these refinements, the music sounds more colourful than before. The time required for this was very little. If you want to take more time, you can achieve even
more differentiated results.
If
necessary, the score can be made clearer by using hidden text. Practice shows
that instrumentalists do not find the technique texts disturbing, but rather an
aid to interpretation.
In
addition to steps 1 and 2, two MIDI controllers (CC 11: Expression and CC 8:
Timbre Adjust) have been automated for audio export using the Graphical MIDI
Tool (GMT) described above, as if working with a DAW. Other switches not
included in the soundset are triggered by "phantom notes". Again,
depending on the time available, the sound can be further refined.
The
following images show the automation curves in the GMT plugin:
The
creation of meaningful mock-ups is possible with this procedure without
spending much time. However, this
assumes that you have some practical experience of working with the software
and plugins and do not need to consult the manual for every step. For future
projects, it is advisable to save setups or screenshots of important
configurations.
The
advantage of this way of working is that the arranger or composer can always
see the designed music in the score. Meanwhile, in the background, keyswitches
that respond to Technique or Expression texts trigger the desired articulation
changes. Automation curves can further refine the sound.