How to create a vibrant string sound.
The following scenario illustrates possibilities for creating a vivid string orchestra sound.
The first video shows the string score without any musical elaboration. The pure music text is rendered by the notation programme with the
soundset that matches the sound plugin based on the default settings.
The notation program and sounds react to the music text.
click to enlarge.
At this point, the music sounds somewhat colourless. The individual voices for example lack fine gradations in dynamics and intensity; in addition the instruments are not sufficiently differentiated from one another. An instrumentalist would articulate with more nuance at one point or another. Even the ambient sound is still rather monotonous.
The individual steps leading to the final sound result are now developed one by one:
Ideas for the musical elaboration (without audio)
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The different volume proportions bring the music to life and create a sense of ambience. Their use depends on the desired musical expression and personal taste.
Video demonstration step by step (without audio)
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The instruments used are given a more differentiated sound by adding Technique texts. Depending on the sound plugin selected, different playing styles can be activated. As the Technique texts work like keyswitches in a DAW, they must be placed in the "right" position in the score in order to be triggered.
The Technique text in this example matches the sound library mentioned at the beginning and the soundset of the music notation programme. Here is a list of the articulations used in organised form:
Video demonstration step by step (without audio)
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Legato slurs (or Technique Text 'legato') trigger legato playing. In contrast to 'détaché', where the stroke changes from note to note, in 'legato' several notes are joined together while the direction of the stroke remains the same; this makes the transitions between the notes smoother and more fluid.
The right room
acoustics are essential for a vibrant string sound. Again, this is a matter of
personal taste and musical expression. There is a wide range of room simulating
plug-ins on the market. Without basic technical knowledge, the choice can be
overwhelming. Some manufacturers therefore offer ready-made setups, which in most cases
will give you reasonably good results.
MIR PRO 3D
mixing and room simulation software from the Vienna Symphonic Library (VSL) was
chosen for this scenario. The RoomPack with the "Sage Hall One" in
Newcastle in the north-east of England was the favourite. A surround downmix
setup was used - a reduction of a multi-channel recording to stereo.
The
orchestra in this scenario consists of 14 first violins, 10 second violins, 8
violas, 8 cellos and 6 double basses. The musicians are seated in a 'German
setup', i.e. the first and second violins are facing each other rather than
side by side.
The main
and secondary microphones, whose settings differ only slightly from the setup
described, are positioned as follows:
click image to enlarge.
In the next overview, the musical parameters that have been added to the score to trigger the corresponding sound effects are colour-coded according to the categories Dynamics, Articulation, Technique Text and Legato Slurs. The automation curves for the MIDI controller 'Expression' are also displayed.
*The layout is not the main focus of the illustration
Notation software and sound plugin react to music text and musical performance markings.
click to enlarge.
As mentioned, the music example could be completely different to suit individual tastes.
With a few musical interventions, the music sounds much more vivid than
at the beginning. The time required is relatively short if you have experience
with string instruments.
The score still
looks a bit messy in this state - if necessary, you can make the score clearer
again by using hidden text.